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・ Cultural depictions of Lady Jane Grey
・ Cultural depictions of lions
・ Cultural depictions of Malcolm II of Scotland
・ Cultural depictions of Margaret Thatcher
・ Cultural depictions of Marie Antoinette
・ Cultural depictions of Mary I of England
・ Cultural depictions of Mary, Queen of Scots
・ Cultural depictions of Matthew Shepard
・ Cultural depictions of Medusa and Gorgons
・ Cultural depictions of Napoleon
・ Cultural depictions of penguins
・ Cultural depictions of Philadelphia
・ Cultural depictions of Philip II of Spain
・ Cultural depictions of Queen Victoria
・ Cultural depictions of ravens
Cultural depictions of Richard I of England
・ Cultural depictions of Richard II of England
・ Cultural depictions of Richard III of England
・ Cultural depictions of Robert II of Scotland
・ Cultural depictions of Robert the Bruce
・ Cultural depictions of Sally Hemings
・ Cultural depictions of spiders
・ Cultural depictions of Stephen of England
・ Cultural depictions of Stonehenge
・ Cultural depictions of the Anarchy
・ Cultural depictions of the Black Prince
・ Cultural depictions of the Empress Matilda
・ Cultural depictions of the Salem witch trials
・ Cultural depictions of Tom Wills
・ Cultural depictions of Tony Blair


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Cultural depictions of Richard I of England : ウィキペディア英語版
Cultural depictions of Richard I of England
Richard I of England has been depicted many times in romantic fiction and popular culture.
==Robin Hood==
The Scots philosopher and chronicler John Mair was the first to associate Richard with the Robin Hood legends in his ''Historia majoris Britannae, tam Angliae quam Scotiae'' (1521). In the earliest Robin Hood ballads the only king mentioned is "Edward our comely king", most probably Edward II or Edward III. However, Sir Walter Scott's novel ''Ivanhoe'' popularised Mair's linking of the Hood legends to Richard's reign, and it was taken up by later novelists and by cinema. Typically Robin is depicted upholding justice in Richard's name against John and his officials during the king's imprisonment.

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